inspired by selfish showmanship of social networks argomat and jen from hannover packed their very own view of things into this release. long live the selfie-stick...not. the b-side is just about misunderstanding. all in all...don t take this release too serious. there is a beat, a bassline, some things around that and essentially again, the really nice voice of jen. with mikel gil (lonely owl records) from spain and label owner gunman we have two fantastic remixes and both are delivering their own perception of music. enjoy :)

phrased return to lb produce with a fresh four tracker. a deep and polished meander through the darker corners of the warehouse top room.
title track “positive centre” combines a skipping, house beat with sultry diva vocals and ethereal melody lines that ping laser beams straight to the heart. “how many” is an looping, falling ambient excursion into the smoke of the dancefloor. outta the smoke comes “partition of the mind” on the flip - a deep broken house tune with zen-affirming sub-bass tumbles and hazy, polyphonic synths. “bakers tape” is a house tune that really bangs. do not sleep on this.

whether it is hip hop,techno, electro boogie, new beat, italo, jungle, reggae, house or chill out. though, all those different sounds and styles do not tear this album apart. it s a bit of a miracle that it feels so flawless for what happens between the appetizing -level one- and the final track -the last march-.

new year new r zone. this time the revivalist rave crew, brutal techno lovers and broken beat brothers-whoever they may be-serve up three more tantalising tracks that are designed simply for high dance floor impact. greatest enemy is first and lives in a deep space world where jungliest percussion and pummelling drums are offset with swirling pads and warm synths. it s an emotional roller coaster that gets followed up by spike, a manic and prickly speaker blaster with wild melodies and rave stylings all barely continued by punch and off beat kick drums. last of all, faramore agent is in your face with its frazzled bass, skittish percussion and vocal stabs all panning about left and right. one again this is brilliantly all over the place and impossibly visceral music designed to devastate all who hear it

debut ep from in any case co-founder, after several appearances on various artists. it was time for him to express himself on a full ep. true gear digger and scientist of the dusty beats, g2s delivers a very nice 5 track ep including two astonishing hip hop beats for opening and closing.

after the success of the broad and powerful second lp alone in time?, Ø phase continues his ongoing connection to token with the submerged metropolitan ep. the title track enters with burchett s own brand of unease, the lead is tense and discordant, moving over a bumpy, rolling kick. brushing off-beat hats rush overhead and play delicately with this unease above the thunder. a vague spoken word sample adds texture and contributes to the cerebral edge. ethereal swells and intense rhythmic play introduce fallen columns, which delves into atonality with keys that add a controlled recklessness to the composition. this absent mind takes on a hypnotic, dubby form with a confidence that belies its complexity. a sublime breakdown introduces the heavier second half of the track, which enters impressively and batters on to the end.

dreamcast on the vocals. sasac on the beat. more things on the way from this trans coastal duo.

nyc-based duo jasmine golestaneh and eddie cooper write songs through a telepathic kinship thevve developed since they started making music together. we have these sort of unspoken criteria when we re writing music. we never really need to explain what that is but we both know when it s missing or when we ve hit it. the pair, aka tempers, are set to release their fundamental fantasy ep via the vinyl factory on 24th february. creating an emotional and tonal tension of sensual and mechanical impulses, their brand of dark electronica sets haunting song writing to a sinister disco beat, pop melodies floating in an almost industrial soundscape. it follows the bands 2015 debut full-length services. fundamental fantasy is about exploring the creative scenery of romantic illusions. our need for them, how we justify them to ourselves, that moment when the imagined story line collides with reality. the ways we fictionalize people to fit into the narratives we have about love - to reflect our own beliefs, virtues and flaws. it is about celebrating fantasies swelling and getting undone, so we can pick up the pieces and craft new ones that serve us better tempers musically, fundamental fantasy is an evolution in both song writing and process, while still tracing a clear line to their earlier output. many of the eps melodies were born of live improvisation, which helped them create an instinctive, natural immediacy within their electronic arrangements. the cover of the ep depicts the duo on the volcanic island of stromboli, where they performed at the volcano extravaganza, an art and music festival curated by the vinyl factory.it is a perfect landscape to mirror the mood of ‘fundamental fantasy. a seemingly idyllic place that is isolated from the outside world.

the solo debut in vinyl of alek drive is an extract of his “frontière” digital album for unknown pleasures records, published in 2015.

erol alkan lights the fire when he first played ross ross ross in his essential mix. this track became a must have. its been almost 6 months. since then, sebastian droped a dozen of remixes. uffie, kelis, daft punk, mylo, editors, kavinsky and more got the sebastian treatment. then he concentrated on his own productions to deliver 2 monsters. the dramatico-cut up beat head/off & the club banger walkman. those tracks have already been tested by the whole ed rec crew. walkman was the pick time of ed banger x vice party at sonar this year. sebastian will release his first album in 2007.

in the beginning of 2017, nightmare factory records will put out their first vinyl release. for this special occasion, the label s owner electrorites put together a unique va record called interweavings vol.1 comprised of smashing techno tunes which will shatter the dance floor into pieces. arween s hurry indeed doesn t take its time and rushes forward like blood through one s tempels when trying to make it in time - or when raving fast and hard, which is exactly what the track encourages you to do. the synth doesn t have time to unfold in a melody and stays on one spot, driven by a harsh beat which doesn t go under 137 bpm. the sour sweat doesn t drop any slower when state of mind by electrorites hits the speakers. incisive synth erupts through the dense wall of iron and steel which crushes and shatters under the surge of the drum kick. the hungarian techno warlock gabeen returns to nightmare factory with disappearance , a guaranteed dancefloor banger for those who prefer to feel the beat deeply in their viscera. the enigmatic duo vertical spectrum rounds up the release with andromeda collision course . this tune is weirdly soothing thanks to the sweeping, high-pitch rustling sounds and swirling trickles, but is still turbid by the sediment of neurotic, angry beat

no one else but one of chicagos finest dj lil tal is responsible for the ninth footjob release. the underground veteran has brought himself to attention in the 90s by releasing on the legendary label dance mania. who came to boogie on the a-side is a pretty disco loop combined with tight and uncompromising drums - undeniably an ear-piercing banger - followed by the label owner phonk d’s insane filtered remix version. the b-side consists of the rough, reduced-to-minimal drum track jack your house plus the funky sample tune buzz the doctor with a beat that makes your dancing feet run straight to hospital. footjob german record label launched in 2014. run by phonk d - focussing on house music made for dancing feet.

after success of the 3rd release which was entirely made in l.a. and played all over by ricardo villalobos and sneak to name a few, here’s the 4th installement of tripmastaz vinyl only label, where he craftly handpicked the most personal music of his own.
“sweat, blood and tears and it’s all autobiographical- - as he describes it.”
the formula remains the same - dancefloor science grooves mixed with subliminal deepness plus hip-hop beat for those who know what’s up.

limited edition hand stamped 12 vinyl - some say techno s 4/4 owes its powerful majesty to our human heartbeat and its constant, uninterrupted pulse. - some say the most magnificent and memorable dark skies on earth can be seen in sweden, known as the northern lights: they may vary its shape, colour and intensity through time, but its presence in our imaginary stays untouched and seems always ready to captivate us again.as true techno lovers, our vinyl only constellation welcomes swedish legendary artist samuel l. session: in rc we ve always referred to samuel s figure as the aurora borealis of techno: timeless, always evolving and majestic. in the dark plays 3 engaging, pushing and beat leading tracks: our most reliable 4/4 beat reference for those who enjoy getting lost dancing in the dark but don t want to lose the north.

with a solid collection of productions and remixes to his name, arturos music has helped define the unique and emerging silicon valley sound. this approach blends the driving, beat-laden beauty of techno with the soulful, deep melodies of house.

in 1976, fela anikulapo kuti & afrika 70 released a total of 8 albums including the hit zombie. at the time of their height, tony allen, fela s drummer, decided to release a follow-up album to jealousy. progress was the result of a series of studio sessions, featuring fela himself with a tenor solo on the title-track. the b-side contains the dancefloor filler “afro disco beat”. . today, comet proudly presents the 2nd release of the tony allen & africa 70 (disco afro series): featuring remastered original versions of “afro disco beat” and remixes by africaine 808 & mexican institute of sound. africaine 808, the berlin-based duo of dirk leyers and dj nomad (hans reuschl), have been challenging the norm with their distinctive flavor of west african bass, rhythms and samples mixed into moreish disco and house tracks. camilo lara, known as the mexican institute of sound is a musician, remixer, producer, dj and label manager for casete records in mexico, which has distributed albums from artists such as radiohead, bjork, jamie xx and nick cave

the second release from will sessions’ newly launched record label sessions sounds. this is the frst collaboration between will sessions and elzhi since the critically acclaimed mixtape, elmatic.
the a side features an explosive extended verse from elzhi, on top of an anthemic beat performed and produced by will sessions. the b side is an instrumental edit that takes you deeper into the production of will sessions.

the first 3 laka releases all bundled up for one special price:
- laka001: roberto rodriguez - moonraker serenade ep
laka002: komytea - soldiers of karkadu ep
- laka003: bermuda - galaxy race

seth troxlers taste-making play it say it label continues to set its own agenda with a fantastic new doublepack / mini-lp from frenchman the mekanism. featuring eight club focussed cuts, this compendium follows up the essential acid love ep released on this label back in 2015. parisian dj/producer and rinse fm france star damien roussel is well known to those with their ear to the underground house scene. he has been djing for more than a decade and puts out his choice cuts on labels like berlins exploited, londons needwant and leeds 2020 vision as well as on play it say it of course. looking back to chicago but also forward into his own sonic realms, he is a fresh producer with plenty to say for himself, and this expressive new release proves that.

for the fourth release shaw cuts lines up five shaolin commanders who created their own interpretations of farrons death duel ep: marco zenker, russian duo poima, roger 23 and simo cell. these heavies form the shelter clan whose mission is to cover ah chis back wherever he goes. marco zenker gives we dont make no sense his signature machine funk that decimates challengers in one swing. ah chi can always count on marcos sword. poima from moscow rival with sabers, severing those who dare to cross their path. their version of tangency is lead by a dirty break-beat drum combo blazoned by cosmic synth melodies and warm machine derangement. centro on the b-side gets heavily grimed by veteran roger 23 whose axe is as heavy as his remix style in general. beware of roger! armed with tonfas, simo cell layers par 2 with a complex and fresh-sounding groove, causing lethal devastation to enemy combatants. ah chi is well-shielded by his companions and still unbeaten to this day. trust in the shelter clan!

alex cortex delivering the heat!! mr cortex is kicking hard with a direct and mental techno tracks! oscillon, a1, is a bleepy affair, direct and repetitive, but please, play it loud and watch. rheometric is in the same alley as oscillon but bringing the bleeps and glitches trip even more in your face. combined with the fat but quirky bassline, it does the peak time techno thing extremely well. b1 s title -shear wave- does the track justice. backed by a fat downtempo beat, the distorted 303-reminiscent synth line cuts through the mix in a way that s impossible to ignore. strain rate tensor rounds up the previous three cuts, also in a very dancefloor-friendly manner. bubbly main lead and anxiety-inducing pad sneaking in the background seem to be the main thing, until another synth hits you as a counterpoint and flips everything upside down. proper no-nonsens stuff!!

there’s not a lot to tell about the project glow in the dark by a certain harry miller. only perhaps we can state that with these eight tracks at hand harry miller accomplished probably the most enchanting album of the still quite young year. just when we wanted to dismiss the short-dated genre of chillwave wistfully, “future bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. already the opening track “step one” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. but also the following seven tracks spread infectious positive vibes all around. the magic of glow in the dark’s tracks is energized mostly by miller’s delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. and unlike sample based music feeding from hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and through. “future bliss” is one hell of a joy ride, from the first note to the last tone. the neon funk of “1987”, the broken beat of “7 billion = 1”, the synth pop of “the last dance” and in general, all of the eight tracks could be little, but great hymns on their own. but only in its entirety they sparkle this fathomless ingeniousness hidden in glow in the dark. in the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “future bliss”.

a deep house classic

henry wu (aka kamaal williams of yussef kamaal) returns to eglo records following on from his joint ep with k15. deep in the mudd is a heavy weight 6 track ep which journeys through broken beat, house, hip hop and jazz. the previously released negotiate ft. simeon jones, which originally came out on eglo sister label hotep, gets a 2017 remix courtesy of the legendary kaidi tatham and uk funky og hardhouse banton joins wu on title track deep in the mudd and century. essential business, no messing about!

lelio luttazzi was a multifaceted artist, a jazz lover (whose favourite pianist was erroll garner) who left his mark as a pianist, musician, conductor and composer. during a career spanning more than 50 years, he established himself as a master of several disciplines such as music, literature and cinema. “i miei stati d’animo” (my feelings) is one of his greatest records, where you’ll find all his irony and wittiness, his versatility and priceless talent. a beautiful easy listening jazz work, completely instrumental and way ahead of the time it was released (1971).
this vinyl release includes the album on cd.

killer ep with advanced forward thinking electro and techno by dj carmel and kassem mosse. from fast paced electro to bass heavy techno to atmospheric break-beat driven post rave and melancholic vibey stuff. strong release!

optimo music are delighted to present the second full-length from the golden filter, still / alone. after relocating to london and playing shows around europe for a year and a half, self-imposed pariahs penelope trappes and stephen hindman delved into creating a two-sided existential opus by renting out old studio spaces around the uk and using mostly analog 80 s instruments, machines and effects. an album about being in love with pure solitude, when still // alone is separated into two distinct sides, record one, still, is a hypnotic meditation for the nightclub. wavy patterns of sound and light bounce off of penelope’s literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. the rhythm, ironically forcing the body to move, however internally focused and mindful, still. record two, alone, takes the club offline and into the fringes of raw, odd pop.

in the fourth modern cathedrals release, altstadt echo crafts three original works with a focus on experimentation with broken beat structures and grainy percussive texture, against a backdrop of austere atmospheres. varg contributes a remix that emphasizes the despairing tones of the descent, contrasted with glistening treble percussion and and stumbling bass. to end the release, evigt mörker offers an extended hypnotic version of the track that slowly develops from a functional framework into an atmospheric drift. the thematic aspects of the release follow the development of modern cathedrals as a label, expressing existentialist themes centered around the search for meaning in a life that forbids it. the label art features photographs of the beautiful remains of one of detroits many unused churches

second round for french in any case imprint, still keeping it chopped and dusty, celebrating the sound of the almighty rhodes electric piano through this 5 tracker wax slab. opening this release is the fashionable parisian tell with a cool house cut featuring some lush samples and a driving beat. following is the label co-founder g2s track amako blending a strong backbeat with a groovy bass and chopped rhodes sample closing a side with a neat library style feeling. we ve then got malouane (co-founder too) opening the flip with a trippy tune including melty percussions on top of a jungly bassline. succeeding, manuel nie from germany with a hip hop - house crossover, banging drums cutting through perfect rhodes samples. finally, ibn sabaa is closing the v/a with a mean head-nodding modern hip hop groove that will doubtlessly wreck your neck.

after 2 years as rocksteady disco head honcho, peter croce makes his 12inch debut with revival, which features a speech by rev. william barber ii as well as peters own electric bass performance. the a side is the main mix while the flip gives us beat and a capella versions. early support from jamie, (chicago), chuck daniels (detroit), ladymonix (la / detroit), stacey hotwaxx hale (detroit), and pontchartrain (detroit)

the mysterious cornhusker unearths two obscure dj-only specials. the a side marries 70s soul (familiar to westwood listeners back in the day) with philly street-corner vocals that keener cinephiles may be able to place. the b side adds a beat to a soulful sunshine-imbued anthem that will ring a bell with fans of j-dilla productions, making it a must for outdoor gatherings. 7 inch large hole with hand stamp sleeve. this is the dj promo on this limited vinyl only release so grab it before its gone forever. upfront support: session victim razor n tape luke solomon nebraska

first second label s third record untitled ep comes from dj ok + dj bwin, which is two projects by leibniz alongside felix paul (making dj ok) and golem club’s alex hoppe (making dj bwin). the record consists of 4 old school, beat heavy and break infused house cuts ready for the club.

holland-based planet rhythm usuals dubiosity and pjotr g return to the imprint with a slice of wax that contains 4 delicate and deep cuts all with a corresponding melodious touch to it. “a man is no island” opens up the 4-track effort with heavy drums colliding with devious soundscapes and a heavy sense of adventure. “die in a forest” is a more traditional techno cut that revolves around a tough acid bassline intrusive synth bleeps and firm set of drums. “poisening the well” is a beautifully orchestrated dubbed out cut that goes into the more spaced out territories of modern day techno. “tears in the rain” is an emotive piece of music that thrives because of dramatic sounding pads and off beat drum patterns.

imyrmind s debut album uniwersum luxus surfaces at record stores worldwide on february 27th, 2017 courtesy of berlin-based money $ex records. idiosyncrasies of both imyrmind himself, and indeed the label as a whole, seep through the fabric of the album, a patchwork of tasteful re-appropriation and sophisticated originality.covering a broad landscape of raw, gutsy minimalism, mesmeric synthwork and trademark ultra-loose beat-making, imyrmind has crafted a record that embodies his rapacious ear and well-groomed production style. in a maturation of techniques explored across earlier releases, borrowed organic textures meet frazzled analogue electronics and clunky, lagging beat iterations in a collection of tracks ranging from the quivering to the aggressive. uniwersum luxus is a bright convergence of influence and innovation, all reverberating within the echo chamber of the money $ex world, self-aware, playful, and at times even ironic.

ever stunning sw delivers completely convincing original, warm techno steppers - highly recommended!

chicagos very own lloyd dev (dance mania) & dion bracken present the paranormal tractivity ep on the new chicago house recordings label. lloyd kicks things off with hyperbolic & anarchy, two retro style beat tracks. on the flip, dion delivers 2 floor bangers with outrageous & slam dance. on limited edition colored vinyl.

lake people, the man with a knack for aural subtleties, is spot-on with his first ep for uncanny valley. over the course of four tracks he showcases a quiet different approach compared to the sophisticated house music the leipzig based artist released on labels like permanent vacation or connaisseur recordings. on -break the pattern- he relies heavily on the good old boom tschak-paradigm of electro, without completely giving up his trademark sound. -level msk- combines staccato-type chords with a stuttering beat that stick in your mind. the acidic -september futuristic- with its stoic drumming has almost a krautrock feel to it. on the flipside, the playful -chords in chorus- feels like an early contender for this year s summer anthem with chords and acid lines from heaven. the ep closes with -pull off-, a perfect example for lake people s ability to compose tracks with an emotional depth.

dj dez aka andrés returns to japans root down records for his second 7inch on the label. for those that only know dez from his andres releases you are missing a whole other side of what this guy can do. dez has been scratching, cutting, and chopping beats for the better part of 20 years as a dj for slum village, a member of detroit s 12 tech mob dj crew, not to mention countless amounts of productions, mixes and beats for other artists. here on this 7inch we have two rare examples of dez s inimitable style, raw, funky and timeless!

evod music presents a new v/a (trasposizioni) mini compilation with aleja sanchez, oisel, syntaxism and yuuki sakai.katharsisis very elegant, with delicate ambients and fine grooves. press text- long: evod music presents a new v/a (trasposizioni) mini compilation with aleja sanchez, oisel, syntaxism and yuuki sakai.katharsisis very elegant, with delicate ambients and fine grooves, rifrazione is a solid track, it contains a filtered off-beat sound, accompanied by a fast-moving synth and dynamic drums orizzonte interno is a strong tune, with hard groove, beautiful processed hats and an excellent sequence tima toa has a continuous, never-ending sounds development, introducing new elements and variations in all its sections.

deus records tv baby remix package drops six varying yet cohesive reworking of the new york duo. to shed new light on three of the bands tracks, the label has craftily pieced together an international cast of electronic artists capable of reinterpreting the psychedelic and free jazz influences of the project for the dance floor.

tell (aka milan for the ones who know) is a french producer who did tracks for beat x changers, banoffee pies, house running, nachtbreaker new imprint & just caught the attention of the mighty boiler room. this is his first ep which is in fact a mini lp & it s a fucking killer ! if you like pepe bradock, moodymann & strictly rhythm (so skylax in a way ,-)), this is definitely for you. ultra classy producer on the verge of getting big. we ve been following him for years now (thx to garage shelter / signal st advise) & we won t regret, the result goes far beyond all of our hopes. futur classic. skylax records 4 ever

a year after his last outing on the label, metamethod is back with a second ep for nightime drama. the man born simon haynes is a veteran of the scene who has worked under many different aliases and is now back at the techno frontline, creating the same sort of powerful grooves that made him so essential back in the 90s. ‘exoshift’ opens things up with a lurching, low sung beat that rocks back and forth as frazzled synths and rusty frequencies skate about up top. it’s body music that really makes a mark while ‘autofac’ then slips into more of a forward moving groove with prickly percussion and woodpecker hits all driving along a bleak techno landscape. last of all, ‘superlifter’ marries bulky, broken sounding drums with celestial pads that glow white amongst the murk and greyness of the rest for he track. it is atmospheric, grainy techno for serious heads only.

this sublime four-track ep sees the london-based italian-born dj/producer kick the year off with a bang, following a highly successful 2016. the eps title track the basement shit commences the release, offering up a stomping bass heavy raw beat groove, a spoken-word hip-hop-inspired vocal, ever growing warped sound effects and a twisted synth-riff. next, the uk dance music pioneer skream steps up to provide a stunning remix, taking the basement shit into a whole different direction by utilizing some of the original s key elements but adding a much more techier feel to the record. in addition to the original and skream s remix, a special dj tool version of the track is also included within the package.

ranko delivers a wide scope of high-quality beat-music ranging from housy to dodgy to smooth, from happy-go-lucky hip hop to chillwave to big beat. hedonism is an intensely musical journey full of diversity and passion...as round as a record could be. hedonism gives an insight into rankos musical knowledge and understanding. on 7 tracks you can hear a true beat-loving master of sampling, drum-programming and arranging... playful and accurate at the same time. while the a-side highlights rankos love to house- and club-based music, the b-side is a journey to his hip-hop- and beatmaker-roots. hedonism contains collaboration-tracks with jan ketel and longterm-colleague duktus from his hometown leipzig. the founding father of the overdubclub, leipzigs first regulars table of beatmakers, is a restless pulser and an imaginative networker which he impressively shows on his tieffrequent-debut...thank you for that!

the neon judgement hail from the small town of leuven near brussels, belgium and gave birth to the new beat and ebm scenes worldwide with the release of their first two cassettes suffering (1981) and tv treated (1982). always a consistent duo of dirk da davo (synthesizers, vocals) and tb frank (guitar, drum machine, vocals) the neon judgment worked in a parallel world alongside suicide, cabaret voltaire, and the deutsche neue welle

de-bons-en-pierre is a project from beau wanzer & maoupa mazzocchetti. beau wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. as well as solo material, he is also in numerous projects including streetwalker, mutant beat dance, civil duty, and corporate park. he s released on many labels including, diagonal, l.i.e.s, cititrax, nation, rush hour, and light sounds dark. maoupa mazzocchetti is the pseudonym of florent mazzocchetti, a french producer based in brussels. florent is strictly devoted to a diy mentality around music production and his sound revives the electro-industrial aesthetic of the late 70s and early 80s. hes released notable productions on labels such as unknown precept, prr! prr!, knekelhuis and mannequin records.

nice price deal !!! >immidiate toughts< project is definitly techno and inspired by the rave years. lady b made these tracks following this direction: dancing together to express an immidiate and emotion.
receiving massive support from dj hell, psychonauts, kazuumi ishii, and more coming soon....

nice price deal !!! manila fine vinyls is the new label project created by shadow sync showing their more soulful side. unlike some minimal fakes you can hear around nowadays, the manila fine vinyls productions have their roots in the original detroit house sound: no frills, no virtual mockeries, just the full and deep analog sound that goes straight to your heart. we care about the substance, not about the decorations! this first release shows the influence of the early carl craig and juan atkins productions and includes two great tunes which have been successfully played for some time across europe. idol, a sweet 90s sounding track has a very characteristic bass line blended with a dreamy pad which opens gradually as long and continues as the song progresses. you will love it! on the flip the feelings, a soulful tune dedicated to all those who are in love for someone: the sweet electric piano chords and strings of the opening are well balanced by the tight bass line and the grooving house beat. let the feelings come up!

after blessing wolf with a fantastic remix of mr. fries on wolfep033, hodini steps up for a full ep on the label. having started out producing hip hop alongside retrogott, the mpc addict has been turning his hand to more uptempo grooves in the past few years having released music on max graef & glenn astro s money $ex records & damiano von erckert s ava. the hip hop influences can be heard throughout the ep with the two a side cuts primed for the dance with their heavy soul and jazz sampled grooves. the flip features the hip hop beat, represent right here & the ep rounds off with the mid tempo collab with hade, parashutes.